twiststheblade (
twiststheblade) wrote2006-06-01 09:22 pm
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Angels: Act One.
The door opens onto a room, not small, not large. Bare, pale walls that could be made of paper, but aren't. There is a window, shuttered against the sun, pale light struggling weakly in to lie in stripes across the wooden floor.
The bed(futon) hasn't been made, white sheets tangled and draped half off onto the floor.
The only splash of colour in the room comes from a vase containing a single spray of yellow flowers, which sits atop a simple lacquered chest. Also atop the chest is a single, dog-eared book, titled 'Koshoku ichidai onna', and two small brown glass bottles, safety capped, labelled in japanese.
Miho steps noiselessly through the door, one finger to her lips, although of course she doesn't have to remind the others of the need for caution. She's all in her habitual black - soft jeans, well broken-in boots, tightly laced, the usual short-sleeved shirt and a loose kimono jacket over it all. There's a knife at each hip, and one at the small of her back. She has her forearm sheaths, as usual, and the bandolier of shuriken. There is a knife in each boot. No swords. Not. . . yet.
I can do this. It's not different than any other place. And I'm not alone. I don't have to be alone.
She raises her eyebrows to Goldy, and tilts her head to the door, a deceptively heavy affair, locked from outside.
The bed(futon) hasn't been made, white sheets tangled and draped half off onto the floor.
The only splash of colour in the room comes from a vase containing a single spray of yellow flowers, which sits atop a simple lacquered chest. Also atop the chest is a single, dog-eared book, titled 'Koshoku ichidai onna', and two small brown glass bottles, safety capped, labelled in japanese.
Miho steps noiselessly through the door, one finger to her lips, although of course she doesn't have to remind the others of the need for caution. She's all in her habitual black - soft jeans, well broken-in boots, tightly laced, the usual short-sleeved shirt and a loose kimono jacket over it all. There's a knife at each hip, and one at the small of her back. She has her forearm sheaths, as usual, and the bandolier of shuriken. There is a knife in each boot. No swords. Not. . . yet.
I can do this. It's not different than any other place. And I'm not alone. I don't have to be alone.
She raises her eyebrows to Goldy, and tilts her head to the door, a deceptively heavy affair, locked from outside.
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Not so her father's guards, and she has a shuriken out and whirling to his gun arm almost before the dog impacts the ground.
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Whatever crippling damage Miho's star inflicts, there is no scream of pain to accompany it. Just a body, now useless, crumpling into the wet earth. Rain mixes with blood, forming a delicate river of pink trickling away from a small holecenter of the forehead, just above the bridge of the nose.
Goldy berates herself for hesitating and lunges for Alanna's arm to ensure that she doesn't shoot as well. Her revolver is unsilenced.
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Gruffly, "let's go before they are missed."
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"We've got about two minutes before he's supposed to call back, I think. Stick to the edges of the bushes, we should be fine."
She looks over her shoulder at Goldy as she begins to walk off. "And shoot first next time, love." Her smile takes any sting out of the words - it's just advice, tailored specifically to this location, these enemies.
She ducks under the low, dripping branches, moving swiftly but neatly, boots almost silent on the damp ground. Behind them, the man is still and the dog almost as still, only the gently rise and fall of it's ribcage testifying to the fact that it lives.
In front of them is a low building, to the side of a wide set of gates. A few men are visible, but the majority are escaping the rain somewhere, less dligent than they would have bveen in good weather. This can only be to the little party's advantage.
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She follows behind as silently as she is able, keeping to Miho's path and remaining vigilant as they approach the entrance.
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Rain drips down her cheeks like tears, like sweat, like blood. It gets in her eyes, but she dares not wipe it away.
The dagger is back in her hand.
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"If we can take them by thurprithe," she says quietly - the letter 's' carries further than any other sound - 'we can avoid having them trigger the alarm. The we can get tranthport and get out of here without any other trouble. I only thee three. . . You?"
She raises an eyebrow, looking sideways at them, keeping the building and it's complement of guards in her peripheral vision.
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Wiithout waiting for further instruction, she drops to one knee and takes aim on the closest guard. She isn't going to make the same mistake twice. Her gun sounds its low wmmmp three times in a row.
Two men silently fall.
The third grunts and stumbles, clutching his neck and vanishing from sight behind a crop of tall rose bushes.
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There were four.
Luckily, he's on the far side of the building, and hasn't seen the fallen men, nor did he hear anything out of the ordinary.
This is a state of affairs that may not last, however.
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The bullet had only scraped his neck, and once the initial shock passed, he had regrouped easily enough. Gun in hand, he shakes his pants leg free of clinging thorns and charges their hiding place.
Alanna is behind him, two knives in hand now. Her gun, after all, has no silencer.
Thump. Thump.
One on the shoulder, one in the ass. She's running as soon as the second one leaves her hand, quickly retrieving both.
It's a pity he cries out in pain.
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It means that the fourth man comes around the corner of the building at a run, rather than sneaking, or, worse, raising the alarm.
He gives a surprised shout, and draws his gun.
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Miho hadn't been trying to kill him, just to silence him, but it rather looks as if he'll die anyway. No real need to make it quick, is there? So after a glance to make sure he's not going to pose further threat, she gestures towards the far end of the building.
"Garage. I hope one of you knows how to ride a motorcycle. We could take a car, I suppose."
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"Very funny, hot stuff. I thought you knew me better than that."
She slaps her hands onto her hips, somewhat indignantly, still keeping one eye on the guard house.
"Just show me where the bikes are."
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She hasn't yet connected the word with the remarkable machine that nearly clobbered Thom in Piccadilly Circus.
Although the look on her face when she sees it will probably be remarkably similar to the one he wore just after.
"I don't suppose it's anything like riding a horse?" she asks hopefully.
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Again, a careful approach to the garage doors, although faster this time. Don't want to get spotted. She slips inside, doesn't turn on the lights. It's dim inside, bu the shapes of several cars - an imported Rolls Royce, a Mazda MX-03, a purposely anonymous sedan, it's status as an armoured car given away by it's bulkiness- and four or five motorcycles -every last one a Kawasaki GPZ900R- can dimly be seen.
"Goldy, you take Alanna pillion, would you? You've got longer legs and more weight than I have and these are a bit big for me anyway." She keeps her voice low, and snags a helmet from the table, passing it over. A quick glance at Alanna, and another one is headed her way.
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"Ooh! Ninjas. Excellent!"
Grinning wildly now, she picks one out, flips the kick stand up and starts to wheel it towards the entrance.
"Come on, Alanna. On you get," she orders excitedly. "This baby's got a top speed of 155 and a standing quarter mile time of 10.55 seconds. We're gonna fly!"
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Where do your feet go? How do you balance?
Does it like sugar cubes?
A small, nervous laugh, and she climbs on, overbalancing slightly for a moment.
"I've always wanted to fly," she says in a brave sort of voice. "But shouldn't there be more between your legs?"
As soon as it's out, she turns bright red and jams the helmet down on her head.
Grumbling, "I only meant it feels like the skinniest horse known to man."
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"A couple of hundred skinny horses," she giggles. "Grab on behind you rather than to Goldy, she'll need to twist about. And just - let it move. Don't try and control anything."
Her toes barely touch the ground, but her balance is good enough that it's not a huge issue.
She turns the key.
Turns to Goldy.
Waits.
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The engine roars!
She revs up, forcing the noise to an even louder decibel level. Without further ado, she grasps levers with each hand, drops the bike into gear and quickly lets it go of the clutch.
The back wheel spins and smokes, losing grip and fishtailing to the right before she releases the brake. Then Fable and Knight leap forward like a shot, the front wheel raising high off the ground...
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Knight lands on her back in the dust, looking rather like an overturned bug with her arms and legs in the air.
"...ow"
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She'd started her engine as Goldy had, and not wasted time with theatrics - her bike had leapt neatly forwards. She was checking their getaway in her mirrors, and just caught the accident.
She slams on the front brake, pulls a perfect endo, rolls forward a few feet, then twistts the bike in the air, and drops it back down, gunning the engine and racing back the way she'd come.
Comes to a spray stop, ready to take any action that needs taking. Hoping she's not going to have to do anything other than head off again.
And it's her damned fault - Alanna wouldn't have expected the bike to be so fast, why did she tell her to hold behind?
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"FUCK!"
She hasn't ridden this type of bike before, and she hasn't carried anyone pillion for many years. But really, she's cursing the fact that she attempted to show off. To make matters worse, she catches a glimpse of the men now charging into the garage, guns trained on the downed knight and the little samurai on the giant bike.
"Fuck."
She reaches behind her with her left hand and hauls on the front brake with the other. Leaning forward and to the side, she executes a stylish turning endo to match Miho's. The only difference is that hers is one-handed, and she comes round with her Springfield .45 blazing.
By the time the stunt is completed, men are dropping with various wounds, and others are diving out of the way behind the cars. She speeds back to Alanna and skids the bike around so it's facing the gate again.
"Sorry!" she yells over the engine noise. "Grab hold of me this time."
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"No worries there," she yells, leaping on the bike and wrapping her arms around Goldy for dear life. "Go!"
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