Angels: Act Two
Jun. 10th, 2006 01:08 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
from here
Yokohama.
Japan's biggest port city.
Hub of trade, export, and import.
Modern, classical, new and ancient. If a thing is new 'it was done first in Yokohama'.
It is late by the time the two bikes purr through the suburbs, heading for the heart of the financial district. Late, and the rain has stopped. The surfaces are slick with water, lights reflecting off anything and everything, a shifting kaleidoscope.
The buildings are an odd mix. Darkened office buildings, except for the odd window where a worker is up late into the night. Bars, restaurants, the odd shop, spill light and sound and smell out into the streets.
Eventually, Miho waves an arm, slows, and pulls over to the side of the road. She hops off, braces the bike, and smoothly uses her entire body-weight to lift it onto the stand. She pushes her visor up, and smiles.
"Well, this is it."
There are two buildings that stand out. One is rounded, almost like a tower, stabbing up into the night. Next to it, seperated by only a narrow alleyway, is a mirrored tower-block, curved frontage, glass elevators running up the outside of the building. It has an enourmous lobby, brightly lit, edged by small shops, and a few restaurants.
"That's the one we want," she says, pointing to the rounded building. "And this is the one I thought we could go across from."
She grins.
"Anyone for sushi?"
Yokohama.
Japan's biggest port city.
Hub of trade, export, and import.
Modern, classical, new and ancient. If a thing is new 'it was done first in Yokohama'.
It is late by the time the two bikes purr through the suburbs, heading for the heart of the financial district. Late, and the rain has stopped. The surfaces are slick with water, lights reflecting off anything and everything, a shifting kaleidoscope.
The buildings are an odd mix. Darkened office buildings, except for the odd window where a worker is up late into the night. Bars, restaurants, the odd shop, spill light and sound and smell out into the streets.
Eventually, Miho waves an arm, slows, and pulls over to the side of the road. She hops off, braces the bike, and smoothly uses her entire body-weight to lift it onto the stand. She pushes her visor up, and smiles.
"Well, this is it."
There are two buildings that stand out. One is rounded, almost like a tower, stabbing up into the night. Next to it, seperated by only a narrow alleyway, is a mirrored tower-block, curved frontage, glass elevators running up the outside of the building. It has an enourmous lobby, brightly lit, edged by small shops, and a few restaurants.
"That's the one we want," she says, pointing to the rounded building. "And this is the one I thought we could go across from."
She grins.
"Anyone for sushi?"
no subject
Date: 2006-06-21 12:32 am (UTC)"A little below - we're going to slide down the rope, then rappell down the side of the building, and go in through a window. Safer than fighting our way down."
She stood, leaning out and round the billboard, and pointing. She was hung many many floors aboue street level, but didn't seem to notice, quite comfortable.
"See that row of fixings at the top of the building?" She turns to Goldy. "That's the permanent mooring for the window cleaners, they're anal about keeping the place sparkling, so they should be secure enough.
"Think you can latch on to that?"
no subject
Date: 2006-06-21 12:48 am (UTC)"Maybe. But these hooks are no bullets."
She threads some rope through the eyelet at the neck of one of the grapples and ties it off. Then she shoves the rod end into the barrle of the gun, where it settles with a sharp click.
"These will fly much more like arrows," she says, handing the whole compliment over to the knight and starting to unwind the attached cord at her feet.
"Aim it the same way you would a bow, then just squeeze the trigger like you would any pistol. There is a charge in the base of that will shoot it across and activate the prongs."
no subject
Date: 2006-06-21 01:06 am (UTC)So she can't miss, can she?
"Just like a bow," she says, getting into position. Checking her stance, she raises the gun and gets used to the feel. Determined, she closes her eyes and imagines a target, imagines the bow string bending under her fingers like a fine instrument. She adjusts her aim unconsciously, holding the gun higher than she would her other gun. When she opens her eyes, she fires. There's a brief moment of concern when it looks as if it will sail right over, but the hook flies true, latching on to the very same spot Miho had indicated.
no subject
Date: 2006-06-21 01:18 am (UTC)She bends, picks up the excess rope, threads the end through a ratchet tightener, then makes it fast to the base of the billboard. Takes a few cranks at the tightener, until the rope is taut, then steps to the edge of the building. She grins.
"See you on the other side."
then she steps onto the rope, and and proceeds to cross the thirty or so feet between the two buildings. Not fast, not slow, but steadily, easily. This is her world.
no subject
Date: 2006-06-21 01:31 am (UTC)"I guess we won't be needing this then," she says, returning one of three primitive harnesses into her pack with the rest of the gear. She takes one of the remaining pair and holds it out for Alanna to step through the nylon leg straps.
"We're going across the more traditional way."
no subject
Date: 2006-06-21 01:35 am (UTC)no subject
Date: 2006-06-21 01:37 am (UTC)So she continues across, and kneels to check on the rope. It's firm, it won't be going anywhere.
She flashes them a quick wave, before ducking across the roof to check on the doors.
no subject
Date: 2006-06-21 01:50 am (UTC)She sees to her own harness next, then attaches carabiners to each end of two shorter lengths of rope. She clips one of them to Alanna's harness and one to her own.
"Now clip the other end onto the line and if you get tired or lose your grip, you won't fall," she says, sitting herself on the edge of the building, to one side of the rope that extends across.
"With any luck."
no subject
Date: 2006-06-21 02:04 am (UTC)Sitting down on the other side, she does as instructed and clips the carabiner to the line. She assumes Goldy wants her to go first.
"We can never, ever tell Adam about this, okay?"
There's a guilty look in her eyes as she wraps both hands around the rope.
no subject
Date: 2006-06-21 02:07 am (UTC)When she's done reshouldering her pack, she clips her carabiner on as well.
"Now get your cute ass over the other side."
no subject
Date: 2006-06-21 02:22 am (UTC)Once they're across, she looks over to Goldy. "Do you think we should leave this here?"
no subject
Date: 2006-06-21 02:26 am (UTC)"No," is her curt reply as she slices through the line.
It falls away towards the other building and she restows the grapple.
no subject
Date: 2006-06-21 02:35 am (UTC)As she fights to steady her breathing and regain her balance, Alanna shakes her head, determined not to think about that now.
"Now we go down?"
no subject
Date: 2006-06-21 02:47 am (UTC)She retrieves the harness she hadn't used to cross, and steps into it, tugging it tight. Sets the ropes. Steps backwards to the edge of the roof, leans back, carefully.
"Okay, set. All go together, right?"
no subject
Date: 2006-06-21 02:53 am (UTC)She goes through the same setup for herself and moves into position beside the little Asian. Once there, she pulls up the bottom of her mask and kisses the exposed bridge of Miho's nose.
no subject
Date: 2006-06-21 02:58 am (UTC)"Together sounds grand. But I'm not kissing either of you first."
no subject
Date: 2006-06-21 02:59 am (UTC)There's a wink for Miho.
"Do a little dance?"
no subject
Date: 2006-06-21 03:07 am (UTC)"Make a little love. . ."
no subject
Date: 2006-06-21 03:16 am (UTC)"Earth people are strange."
no subject
Date: 2006-06-21 03:18 am (UTC)"Get down tonight."
And with that she hops back off the rig...
no subject
Date: 2006-06-21 10:23 pm (UTC)(Scene Three)