twiststheblade

Something like that.

A key opens the door, and Miho heads across the (spotlessly clean, actually, if somewhat colourless) foyer towards the stairs. There's no elevator.

She begins to ascend. And yes, she lives on the top floor. The fourteenth floor, to be exact.

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I traipse along behind, having let go of her hand a few blocks back.

I'm less scared now, and more angry. The fury is building inside me, like a huge storm massing at the edge of my consciousness, dark and malevolent; like a pack of hungry rottweilers waiting to be unleashed.

I want payback for my loss. For her loss. I want blood.

But that doesn't seem too likely here.

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Up the stairs they go.
(three of swords)
Mary Anne seems to have absorbed some of Miho's silence, keeping her mouth shut once they crossed the threshold.
(ten of swords)
There's things here she doesn't understand, and flashes of her sword siblings' influence. She doesn't like it.

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It gnaws at me, eating away at my self-control. It shoves at me like a petulant school boy.

I want to lash out at something.

Anything...

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One the fourteenth floor is reached, Miho unlocks the door, pauses on the threshold, and tilts her head, inviting her unexpected guests in. She pauses, because this is her space. And no-one comes her. Well, Molly had, back when she still needed caring for. Sometimes she still does. And sometimes, Miho doesn't turn her away.

The apartment is small, fairly bare, very clean. The window, which is surprisingly large, lacks curtains or blinds, and is shielded only by the rain sheeting down it. Miho crosses the room silently, heading for the bathroom. She returns with towels, hands one to each of her guests, and begins wringing the worst of the wet out of her hair.

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"Thanks," she murmurs, accepting the towel and beginning to dry off her hair. After that, she turns her attention to her knives.

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Vaguely reminiscent of her room at the bar, at least in terms of the scant furnishings and minimalism. I don't like it. It just adds to the feeling of emptiness that's welling in my gut.

I... need to turn my attention elsewhere, so I make some peremptory efforts at drying my hair. It's way past simple recovery though, and my rubbing just leaves it horribly frizzy.

Unsurprisingly, this doesn't help my mounting rage.

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Miho leaves the towel over her shoulder, and her blades go onto the table. She'll dry them properly in a moment, once she's no longer sopping wet herself. She strips unceremoniously out of her wet clothes, tossing them through the open door of the bathroom, and turns to a free-standing wardrobe for dry jeans and t-shirt.

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Things are just... happening around me now.

In a blur.

I look over at her and...

No.

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solitude exile misery concern

despair suffering conflict defeat degredation dishonor

failure conquered overwhelmed struggle strife

stagnation immobile abandonment surrender

debacle disaster self-destruction

"Oh holy hell."

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No.
Yes.
No...
Yes...
No no no no no no no...

Yes yes yes yes yes yes yes...

"NO!"

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Miho turns at the sudden yell, tugging her jeans on, just in time to fail in any attempt she might have made to prevent her floor-lamp from smashing through her window. While she is staring at the wreckage of her window, the door opens, and slams, behind her, and when she turns back, Goldy is nowhere in sight.

She blinks.

And looks to Mary Anne. What just happened?

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Mary Anne runs a hand through her hair.

"'S bit of a shock," she murmurs.

"Seeing your...seeing you." She sinks down onto the futon, patting the space beside her. "C'mere, sweetness."

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Miho does as she is is bid. After all, she's very obedient. She pulls her t-shirt over head before she sits, though, giving Mary Anne a questioning look as her head emerges from the neckband.

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She kisses her lightly on the cheek.

"We missed you, and...we were worried."

She hesitates before asking, "What happened to you?"

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Hasn't she realised yet, that Miho isn't going to tell her?

She gives a little sigh, and another little shrug. It still doesn't matter. After all, it's already happened. He's dead. He can't hurt her again. No-one will.

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Well, it was worth a shot. She still has one more option.

"I can find out," she says softly.

"If you don't mind, I can look. You won't have to see it again."

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Miho raises an eyebrow at her, but doesn't move away. Mary Anne is welcome to do anything she likes. After all. No-one can hurt her, any more. There's nothing left to hurt.

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"'M taking that as a yes, then."

She takes Miho's hand in hers and her eyes darken a shade.

(bound and beaten and blood in the corner of her mouth and a boy with a face like hersMiho's her brother and pain and pain and every

last

blow that left a scar on hertheir back she feelshears screaming until there is no voice there is no need for a voice we are a thing beyond a voice and there's just enough breath left for--

"--I love you."

She gasps, as if surfacing from beneath deep water, her grip on Miho's hand almost white-knuckled. She lets go carefully.

"I'm sorry. I wasn't here and I couldn't stop it and I am so very sorry."

She presses a kiss to Miho's damp hair; it helps hide the fact that she's crying.

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Miho holds very still for a moment, then puts her arms around Mary Anne. Not as if seeking comfort - but as if giving it.

It's getting cold, in the room, with the wind coming in through the broken window, and she shivers.

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She hugs Miho back, though almost gingerly, as if afraid of breaking her further (as if she could still be broken).

"We came to bring you home," she says.

"If you'll come with us."

"Please."

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Miho looks at her for a long time. Then she looks out of the window, for far longer. Then she gets up, collects her swords, and takes a battered looking shoebox from the bottom of her wardrobe. Nothing else is important.

She's ready.

Mary Anne can take her home.

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She stands up, smiling faintly.

"Okay, then. Let's go round up Goldy and we're set."

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Miho looks at the door to her apartment, before heading through it. She pauses in the hallway then, instead of heading for the stairs, goes the other way, towards an insignificant-looking door marked 'roof'.

If she remembers Goldy - and she thinks she does - that's where she'd go.

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